No amount of self-loathing could prevent me from buying a DVD copy of The Nostril Picker, but a £3.49 flea market … More
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Review: Surge (dir. Aneil Karia, 2020)
We’ve all been Joseph, Ben Whishaw’s hair down, let loose, dance (and steal and fight) like nobody’s watching character at … More
Review: The Decameron (dir. Pier Paolo Pasolini, 1971)
For a film from 1971 based on a collection of 14th-century Italian literature, The Decameron is a welcomingly upbeat and lively presentation … More
Review: Planet of the Sharks (dir. Mark Atkins, 2016)
Despite having one of the most credible plots yet for the shark-comedy-horror hybrid genre seeming as Planet of the Sharks promisingly adds … More
Review: Climax (dir. Gaspar Noe, 2018)
“Have they started tripping yet?” is one of the first questions my partner asked whilst I was watching Climax, to which … More
Review: Heaven Knows What (dir. Josh & Benny Safdie, 2014)
“Would you forgive me if I killed myself?” is a line spoken by Harley early on in the Safdie Brothers’ … More
The Art of Playground Insults: Voice-Acting Advice from the Cast of Canis Canem Edit/Bully
To be involved in the creation of the many pedestrians and passers-by in any Rockstar Games project is, I’m sure, … More
Review: Dogma (dir. Kevin Smith, 1999)
Although the awful comedy of Dogma could be blamed solely on how poorly it’s aged, that would be unfair, as many films … More
Review: The General (dir. Buster Keaton, 1926)
Rarely does a film jump straight into the top-ranking figures of my favourite, most-acclaimed films, so I review The General with caution. … More
Review: Another Round (dir. Thomas Vinterberg, 2020)
Although Mads Mikkelsen is the poster-face and commandeering star-power of Another Round, it’s unfair to attribute all of the praise upon a … More